the urbanguy chronicles

PHOTO Karl Walter/Getty DESIGN: Samantha Smith/CBC Music

“As a musical genre, R&B/soul doesn’t seem to get the same love and recognition in the eyes of the mainstream — and hasn’t for what seems like a while now. You can argue that contemporary pop music, with its more-than-liberal borrowing of soul music sensibilities, has made it harder for the straight-up R&B singers to shine in the mainstream commercial spotlight.”

My year-end round up of all things R&B/soul is up over at CBC Music. Miguel, Frank Ocean, the Weeknd: this year was a good year for the genre in the mainstream and this piece reflects that. On to 2013!

PHOTO (Che Kothari; design by Ben Didier/CBC Music)

Conversing with Afrika Bambaataa, it hits you with the force of an 808 backbeat: the 55-year-old is more than simply a hip-hop veteran.

Afrika Bambaataa is hip-hop.

Considered the godfather of hip-hop and electro-funk — a veritable prime mover — the Bronx native’s contribution to the music and culture informs hip-hop’s global reach. And even in his 50s, he notes there is still so much more to do…

It was great to connect with one of the living legends of hip-hop, the man otherwise known as Afrika Bambaataa. Here’s the CBC Music piece showing how it went down with the “Planet Rock” originator.

After touring nonstop for months, you can’t fault Patrick Watson for being a bit giddy during their last stop, at Toronto’s Massey Hall. Adorned with his omnipresent military-styled chapeau, Watson himself apparently couldn’t help the giggling fits that peppered the nearly 90-minute set.

“It’s time for me to go back to my own backyard,” said the Montreal-based frontman from behind his trademark piano.

Caught the Patrick Watson show. Wrote about it for National Post. Read it.

For singer-songwriter Miguel to create a straight-up R&B album, putting forth a specific creative vision that manages to transcend the hip-hop pop swill presently produced by his so-called R&B brethren, yet avoiding coming off as pretentious, is a crowning achievement. The fact that the 11-track project actually warrants Best of Year discussion is nearly a moot point. After operating on the underground R&B fringes with the poorly marketed and criminally overlooked Sure Thing in 2010, Kaleidoscope Dreamgoes for broke. While there are a couple of overly indulgent outings, Kaleidoscope Dream is a statement that Miguel has arrived.

Full interview at Exclaim.ca.

Phonte (Photo: Chris Charles)

“It was a crazy year, just kind of a transition year for me,” says Phonte over the phone. “I went through a divorce and with the album coming out when it did, it just really it gave me an outlet. I was working and travelling so much, I kind of had a way to keep from going crazy.”

In advance of his Saturday show in Toronto, I chat with the always engaging Phonte to speak on his touring life, his recent “Charity Starts at Home” solo LP and the anticipated 2013 Foreign Exchange album:http://music.cbc.ca/#/blogs/2012/11/Post-Little-Brother-Phonte-Coleman-goes-for-self

“Africa has way more to offer than negativity.”

If you like Lauryn Hill or Erykah Badu, you’ll probably like Nneka’s latest album “Soul is Heavy.” In advance of her Toronto show on Tuesday, I connect with Nigerian-German rapper-singer Nneka about the album, her musical influences and more: http://music.cbc.ca/#/genres/RB-Soul/blogs/2012/10/Nnekas-Soul-is-Heavy

Even when enduring a no doubt taxing day of media interviews, Brandy is bubbling over with positive energy — infectious, even — when I connect with her over the phone. Through her laughter, jovial tone and honest candour, one quickly gets the sense the soulful singer is truly happy to be part of the R&B conversation once more with the arrival of her new project, Two Eleven — her first in nearly four years.

“I’m so amped about the new album that I can’t even believe it that an album is actually coming out from me. It’s amazing,” the 33-year-old says giddily from Los Angeles.

Full article over at CBC Music.

In upholding hip-hop’s oft-underplayed element of speaking truth to power, even Brother Ali himself isn’t sure that the current musical climate is ready for his new studio album, Mourning in America and Dreaming in Color ― an honest, scathing but ultimately buoyant 14-track statement on the current Western world status quo.

“I think they have to be ready. I just make music that reflects how I feel about things,” he says.

Went to the Toronto show. Man this dude is a consummate performer. Peep the full interview with the uber-talented Brother Ali at Exclaim.

When the prolific Saskatoon-born, Toronto-based rapper/producer known as Muneshine dropped There is Only Today earlier this year, heads listened…and liked what they heard. Maintaining a careful balance between Muneshine the Producer and Muneshine the Emcee wasn’t easy, but he pulls it off impressively on all 13-tracks. Known more for his work with Toronto emcee D-Sisive, Muneshine (real name Rob Bakker) calls upon names such as !llmind, Buckwild, and DJ Spinna to help deliver a soul-sample driven rap project. We caught up with the busy artist and hit him with the Four Questions...

Q: What can we expect from Muneshine between now and the end of the year?

A: There’s a lot going on! Now that my new solo album (There Is Only Today) has dropped I’ve got my producer hat on. I’m finishing up the Dorian Grey project with new-comer, ELMNT, the new Jonestown (3) with D-Sisive and I’m in the early stages of conceptualizing my next solo project which will be a production album featuring different artists. Besides these, there is the Wolves (myself, Ghettosocks, D-Sisive, Timbuktu & Bix) album coming out soon and a remix project from There Is Only Today with producers I didn’t get a chance to work with on the main release (such as The Herbaliser, Moka Only, Slakah the Beatchild, Croup and more).

Q: If you weren’t making music, what would you be doing right now?

A: I can’t imagine not working in music. If I couldn’t create it, I would still find a way to be surrounded by it in a professional sense. I’m at my best when I’m creating, so I hope I’ll have that option for some-time.

Q: Who is your target fan/demographic?

A: I’m trying to reach people like myself. People who came up on (or even recently got into) hip-hop when it was still driven by the art. People who like smart, relatable music. I also hope my music will get to people outside of hip hop’s reach.

Q: What separates you from current producer/emcees right now?

A: I don’t rely on one position (producer or emcee) to support the other. I work with different producers (as an emcee) so I can really focus on the writing and delivery, just like I work with other artists (as a producer) so I can put everything into that aspect of the music. I give both 110% and that enables me to maintain a consistent level of quality and productivity.

Muneshine – “Lower Level”